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Faerie Trees
Certain trees or combinations of trees (such as three thorns growing entwined, particularly on a hill side, or the association of Oak, Ash and Thorn) may mark an entrance to the Otherworld. Sometimes they may appear rather unremarkable, or otherwise quite magnificent with their long gnarled limbs, huge distended boles sometimes splitting open to reveal dark canyons and a labyrinth of twisted writhing roots. These portals to the Hidden Kingdom, and also the trees that provide a home to a considerable brood of Tree Sprites or other sylvan Fays, are known variously as Faerie Trees, Monants, Bile, Sceach or Skiough. However some trees go beyond being doorways or dwelling places and display a sublime sentience of their own. Some of these trees bare their souls more visibly than others and some of them profoundly so. Faces may sometimes be seen to fade or even vanish seasonally, particularly in winter (the time of hibernation and natural defoliation for deciduous trees), only to reawaken when spring has sprung. The two main forms of commonly stationary faces to be seen upon the bark of trees are known as the Sleepers and the Old Heads. Though they may be manifestations of the tree’s own soul, there is suggestion that some trees may at times harbour the souls of dead humans - particularly those who breathed their last hanging from their branches, either through execution, accident or suicide.
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Celtic Dryads
Also known as: Sidhe Draoi, Faerie Druids,
Tree Nymphs.
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Lesidhe
The Lesidhe appoint themselves as woodland guardians, a position whose duties they seemingly regard as largely consisting of making life difficult for human ramblers and forestry workers. The local Lesidhe generally seem content to frighten and bewilder mankind by causing them to lose their way in the heart of the woods. This of course can be quite distressing, but we should perhaps be grateful as many of their East European relatives are said to include rape and battery amongst their activities. By name and by nature comparisons can be drawn between the Lesidhe and the Slavic arboreal god, Leshy. This red-cloaked, clog-footed, shape-shifting deity would also way-lead travellers amongst the leaves and boughs and, like the Lesidhe, was also thought to hibernate throughout winter.
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Tree Sprites
Also known in Northwest England as Poldies; In
South England as Pottons; In Ireland as Skeagh-Shee.
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Lunatishee
Also known as: Moon Faeries, Lunatisidhe,
Blackthorn Sprites.
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Oak-Men
Also known as: Inifri Duir, Bodachan na
Croibhe Moire.
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Apple-Tree
Men
Some supernatural creatures become most protective of fruit trees, even when they are growing in human plantations. Their presence therefore could either be a bonus or a bother to the orchard owners. The Orchard Guardians, particularly the Apple Tree Men will chase away fruit-raiders but may also take umbrage with genuine harvesters. Though they will begrudgingly accept fruit-picking they may demand certain conditions. In the traditional Cider counties such as Somerset, apple-pickers could only harvest fruit at particular times of the day. Other customs such as ‘Wassailing’ and ‘Apple Howling’ involved unusual rites such as beating the tree with a stick wrapped in a cider-soaked rag and making lots of noise. Festivities involving the trees were habitually employed both at harvest time and often also at Xmas and New Year, in order to placate the spirits and hopefully guarantee a good fruit crop for the following year. It was also customary to leave a single apple on the tree for the Apple Tree Man at the end of the season likewise to ensure that the next yield would be bountiful. The Apple-Tree Men and other Orchard Guardians were often known by individual names according to their locality and children would often try their luck by taunting these figures and attempting to steal their fruit.
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Willows
As well as being a favoured haunt of Dryads, Willow trees (Salix species) often display a distinctive character of their own. Whilst many of the inherent tree spirits such as the Sleepers display little or no animation, the Willows have a reputation for uprooting themselves at night and going wandering in their entirety. Should they observe a human taking a nocturnal stroll in front of them, then the Willow will likely follow muttering and grumbling to themselves all the while. Should the walker stop and turn, then the Willow will itself stop and when they carry on the Willow will also resume walking and whispering.
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Elder
Mothers
Also known as: Old Mothers, Elder Witches,
Burtree Witches, Old Women of the Elder Tree, Old Gals.
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Wood-Wose
Also known as: Wild Men, Wode-wose, Wood
Men, Woses, Wuda -Wasa, Wodwo, Wyllt, Woosers, Green Men, Bachlach.
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Green
Men
‘Green Man’ is a name that has commonly
been used in modern times to refer to the varied but essentially similar
vegetation icons that are evident in old art and traditional festivities.
To many, his image represents the spirit of rain and vegetation, or an
archaic agricultural and fertility deity, perhaps even an aspect of The
Horned God. This is perhaps most evident in the Green George spring rites
of the Gypsies, however many of the Green Men costumes seen in other
traditional May-day or Beltain processions are actually representations of
Woodwose. The Jack in the Green was a figure common to the May-day
processions of 18th Century southern and central England, most
commonly represented as a tall heavily leafed form frequently accompanied
by several chimney-sweeps. Though such celebrations rarely occur anymore,
or have often been made more commercially viable for tourists, genuine
traditional ceremonies do survive in some areas.
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Brown
Men
Also known as: Moor Men, Brown Men o’ the
Muirs.
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Pillywiggins
Pillywiggin Troops include Vairies, Farisees, Hotties, Feerins, Greenies. The Pillywiggins are probably the Fay species most commonly encountered by children at the bottom of the garden. They display a strong relationship to flowers and small plants. Whilst certain Pillywiggin Troops may be linked only to a specific location, or species of plant, others are more general. Many people have developed a mawkish opinion of Flower Faeries. It is never a wise move to underestimate or trust any Fay species too deeply, however. Granted, the Pillywiggins are often very pretty and jovial but that does not necessarily equate with overtly sweet. Usually they only seem mildly curious of humans and the Pillywiggins that inhabit churchyards may be seen to mimic the ceremonies that they have observed. They are not human though and their morals and behaviour could be as unpredictable as those of any other Fay species. Pillywiggins are deeply protective of their floral environment and, as many of them often display insect attributes such as wings or even antennae, it is also possible that they would adopt other features such as swarming tendencies, chitin armour and painful bites or stings if they felt exceptionally threatened. It must also be remembered that amongst the plants they frequent are poisonous specimens such as Foxglove, Henbane, Bittersweet and Ragwort.
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Devas
The Devas are thought to have originated in Persia (now known as Iran) and made their way here via Greece. They are a peaceful race, renowned for their compassion and potent healing abilities. These powers are most often applied to rare or delicate plants. The word ‘Deva’ means ‘Shining One’ and around dusk their aura may be seen extended around a particular plant that are nurturing. There are several different forms of Deva recognised in the Persian heartland with the species becoming established here being known more specifically as Golden Devas and Green Devas. Respectively the Golden Devas are concerned with the transmission of solar energy, whilst the Green Devas nurture growing plants. They are often curious about humanity but may be very shy. It is possible that White Devas (also known as Sylphs), who are spirits of the air, and Violet Devas, who are connected with the spiritual aspect of nature, are also present in these isles; however, due to their ethereal quality they may not have been widely recognised as such.
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All artwork and text © Andrew L. Paciorek |
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